

Canadian. Born in Montréal, Canada (1981).
Lives and works in Montréal.
Formally trained in painting, drawing and printmaking, Natalie Reis embraces different mediums and incorporates sculpture, installation and text-based work into her practice. Her highly recognizable fine lines and clean compositions are driven by a political, social and firm feminist tone that runs like a thread through her work.
Through often very large scale painting or drawings of a more intimate nature, the works of Natalie Reis incarnate in a figurative work that sometimes flirts with abstraction as she breaks down technically rendered works with abstract marks and layering techniques borrowed from printmaking. In a formal and delicate way, she assumes a critical narrative playing with accumulations, appropriations and juxtapositions. She skillfully intertwines icons, symbols and cultural references from art history, contemporary media issues and popular culture. This is how she reinterprets important art history paintings or addresses socially charged topics as infanticide, rape or the place of women in art history and current society.
A graduate of Concordia University and the University of Waterloo, Natalie Reis has won several awards and honors, including for the Society and Culture Research Fund and the Quebec Council for Arts and Letters. She has already exhibited her work in several solo and group exhibitions, notably at the Montreal and Toronto Biennales, Centre Plein Sud (Longueuil, Quebec) and at VOLTA NY (New York).
COLLECTIONS
Fasken Martineau (Montréal, Canada)
Giverny Capital (Montréal, Canada)